So, for those of you who are not photographers (anyone?) There are two pretty distinct ‘camps’ in photography as far as lighting goes. There are the ‘natural / available light’ shooters, people who rely on what nature provides – the sun namely, and then those who use that at times, but can ALSO create their own light should mother nature not be feeling cooperative.  Before I go any further, I need to point out that neither side is “wrong” and neither side is “better” – it’s just different ways of approaching and solving the same problem – how to light the subject.  Photography after all, is the study of LIGHT.
Up until recently, I was pretty firmly in the ‘natural (or available) light’ camp for all my portraits, (weddings don’t count here, you pretty much always need to create some form of light at a reception).  Then I realized that there were things I just couldn’t do without adding my own light; placing it where it needed to be and controlling its quality and intensity.  So this year, I’ve been working really hard to hone my skills in intentionally lighting my work, not just doing the best with what I’ve been given.
The cool thing about lighting, is that it can be whatever I decide it needs to be for the particular subject. Hip & Edgy for a senior shoot? Yep.  Soft and subtle for a bridal? Yep, it can be that too.  Some of my favorite lit looks are where you can’t even tell it IS lit…. but I promise you they are shots you would NEVER get without adding your own light. never.
Last week, I attended East Coast School – our Professional Photographers of North Carolina week-long intensive workshop.  This year, they had the amazing TriCoast Photography, one of the industry leaders in location lighting, teaching – and I signed up FAST!.   The class was amazing – like seriously amazing. The TriCoast guys are incredible photographers and teachers and I learned a TON of new stuff to bring to my work.     Enjoy!




